Difference between revisions of "Template:Article of the now"

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'''''Sonichu #2''''' is the third [[Sonichu (comic)|''Sonichu'' comic]]. This is where the comic begins to focus mostly on [[Chris]], with [[Sonichu (character)|Sonichu]] as a side character, though it doesn't complete this progression until [[Sonichu 4|issue 4]].


This issue introduces one of the bigger MacGuffins in Sonichu canon, the "Anchuent Prophecy" that by predicting future events, somehow also causes them to inexplicably occur. Having addressed Sonic and the introduction of Black Sonichu in the previous issue, Chris's next urgent business is to get down to addressing his feelings from his awkward love triangle with [[Sarah Hammer]] and [[Wes Iseli]], via this trilogy in which they turn into furries and are forced to team up to attack a giant monster. Note that Chris completed this entire issue in under two weeks – a blistering pace compared to his later efforts – suggesting that his heart was most into his work when he was [[Chris and his Ego|using it to talk about himself]].
'''''Family Guy''''' is an animated sitcom that debuted on Fox in [[1999]]. It is known for satirizing pop-culture and extensive use of cutaway gags, with the series peaking in popularity and cultural significance in the mid-2000s and subsequently sticking around in a diminished capacity but never quite leaving, much like its inspiration, ''[[The Simpsons]]''. [[Chris]] [[Things Chris has ripped off|rips it off]] an unbelievable amount in [[Sonichu (comic)|his comics]]. Chris has expressed fanaticism for the series, to the extent of his beliefs being influenced by it.


By the end of ''Sonichu'' #2, both [[Mary Lee Walsh]] and [[Count Graduon]] are firmly established as the primary villains of the series... at least until the [[trolls]] show up.
('''[[Family Guy|More...]]''')
 
('''[[Sonichu 2|More...]]''')

Latest revision as of 23:51, 7 May 2024

CWC-Family Guy art commission Nov2023.jpg

Family Guy is an animated sitcom that debuted on Fox in 1999. It is known for satirizing pop-culture and extensive use of cutaway gags, with the series peaking in popularity and cultural significance in the mid-2000s and subsequently sticking around in a diminished capacity but never quite leaving, much like its inspiration, The Simpsons. Chris rips it off an unbelievable amount in his comics. Chris has expressed fanaticism for the series, to the extent of his beliefs being influenced by it.

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