WTJU Marathon
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This article is still yet to be completed due to stress. We get a lot of stressful torture in our lives that makes us crash into slumber. Given that inspiration is a big variable, and we may have been lacking of it, this article will be completed as soon as possible, at our own pace... HONEST!
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The WTJU Jazz Marathon was a marathon that Bob helped to host in 1990.
Transcript:
(The segment with Bob begins at Disc 2)
Timiny: K, you're listening to the WTJU jazz marathon for 1990, my name is Timiny (sp?), I'm here in the studio with Bob Chandler, who's prepared an excellent show for us today, of music including jugs, kazoos and washboards. Some really dynamite stuff from between-made between 1928 and 1934. So I'm gonna go ahead and turn the mic over to Bob and I wanna urge everybody in the audience to make a pledge for support of community radio here in Charlottesville, Virginia. The numbers down here to make a pledge are 924-3418 and 924-3959. And Bob, if you'd be so kind, tell us about this music you're about to play for us.
Bob: OK, this is jazzy jugs, kazoos and washboards. It's a style of American jazz that's been far too long overlooked. The musical is a jug, a bottle or even a pipe will serve as well. The hat spitting, and vocalizing into the player can produce a brooding, resonant sound. Not dissimilar to that of a tuba or a string bass. Larger glass vessels and earthenware demijons does produce a full boom. The player may alter the sound by blowing into the jug at different angles. Singers who like to vocalize through a kazoo, a submarine-like look-like toy (?) then imparts a buzzing sound to the vocal sound similar to that of a comb and paper. One who would want to give it more volume might add an oral funnel, which gives it direction, and carries it further. Another related domestic item, the corrogated (?) washboard, a rubbing board, gave rise to the noted rubbing sounds of the washer window. Its surface gives a stacatto beat on a board or similar implement is drawn across the washboards, and its potential as a rhythm instrument was not missed. The players often wore metal thimbles on his fingers to obtain a crisp, rattling sound, more satisfying to the Blues era than the drums were. Cowbells, wood blocks, pans, wire brushes, wooden rods, and other embellishments were added to create excitement and tone color for the rhythmic beat of the music. So here they are, fifteen obscure performances, from 1928 to 1934. Performance number one, is "Farewell Blues", August the 17th, 1934, New York Personnel, The Georgia Washboard Stompers. Chick Webb is the celebrated trumpeteer, Taft Jordan is the star of the session, surrounded by saxophonists Dave Page, Ben Smith and Carl Wade. Clarence Prophet is at the piano, Steve Washington is doubling banjo and guitar, Ghost Howell is on the bass, and Jake Fenderson is on the washboard, makes this performance really swing! You listen for good breaks by all the personnel in the band, and good, good rhythm by Fenderson on the washboard.
("Farewell Blues" plays)
Links:
https://www.youtube.com/watch?v=XdlHvwJ22mM https://www.youtube.com/watch?v=jn19ZFhN97E https://www.youtube.com/watch?v=clMw0ntg384 https://www.youtube.com/watch?v=hRGeCpPBE38 https://www.youtube.com/watch?v=zkaZd6IS93A http://www.youtube.com/watch?v=TD-olCmSWuk