WTJU Marathon

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This article is still yet to be completed due to stress.

We get a lot of stressful torture in our lives that makes us crash into slumber. Given that inspiration is a big variable, and we may have been lacking of it, this article will be completed as soon as possible, at our own pace... HONEST!


Chris's cover to the album, predictably featuring Sonichu.

The WTJU Jazz Marathon was a marathon that Bob Chandler helped to host in 1990. Over the course of this marathon, Bob shows an impressive amount of knowledge about jazz music in the 1920s and 1930s.

In December 2012, Chris put up the marathon on RapidShare (where it was luckily archived to YouTube), and it remains the most notable thing Chris has done about his dad ever since Bob's death.

Transcript

1990 WTJU Jazz Marathon Disc 2 Out Of 6
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Stardate 1990
Subject Matter MusicMusic Music
Other AudioAudio Audio


Timiny: K, you're listening to the WTJU jazz marathon for 1990, my name is Timiny (sp?), I'm here in the studio with Bob Chandler, who's prepared an excellent show for us today, of music including jugs, kazoos and washboards. Some really dynamite stuff from between-made between 1928 and 1934. So I'm gonna go ahead and turn the mic over to Bob and I wanna urge everybody in the audience to make a pledge for support of community radio here in Charlottesville, Virginia. The numbers down here to make a pledge are 924-3418 and 924-3959. And Bob, if you'd be so kind, tell us about this music you're about to play for us.

Bob: OK, this is jazzy jugs, kazoos and washboards. It's a style of American jazz that's been far too long overlooked. The musical is a jug, a bottle or even a pipe will serve as well. The hat spitting, and vocalizing into the player can produce a brooding, resonant sound. Not dissimilar to that of a tuba or a string bass. Larger glass vessels and earthenware demijons does produce a full boom. The player may alter the sound by blowing into the jug at different angles. Singers who like to vocalize through a kazoo, a submarine-like look-like toy(?) then imparts a buzzing sound to the vocal sound similar to that of a comb and paper. One who would want to give it more volume might add an oral funnel, which gives it direction, and carries it further. Another related domestic item, the corrogated(?) washboard, a rubbing board, gave rise to the noted rubbing sounds of the washer window. Its surface gives a stacatto beat on a board or similar implement is drawn across the washboards, and its potential as a rhythm instrument was not missed. The players often wore metal thimbles on his fingers to obtain a crisp, rattling sound, more satisfying to the Blues era than the drums were. Cowbells, wood blocks, pans, wire brushes, wooden rods, and other embellishments were added to create excitement and tone color for the rhythmic beat of the music. So here they are, fifteen obscure performances, from 1928 to 1934. Performance number one, is "Farewell Blues", August the 17th, 1934, New York Personnel, The Georgia Washboard Stompers. Chick Webb is the celebrated trumpeteer, Taft Jordan is the star of the session, surrounded by saxophonists Dave Page, Ben Smith and Carl Wade. Clarence Prophet is at the piano, Steve Washington is doubling banjo and guitar, Ghost Howell is on the bass, and Jake Fenderson is on the washboard, makes this performance really swing! You listen for good breaks by all the personnel in the band, and good, good rhythm by Fenderson on the washboard.

["Farewell Blues" plays]

Bob: Okay, now we goin' on performance number two, which is Tight Like That. This is November the 9th, 1928 with Chicago Personnel, Tampa Red's Hokum Jug Band. It's a great group of Chicago musicians featuring kazoo, guitar and jug by Hudson Whittaker. Tampa Red's guitar, Thomas A. Dorsey's on the piano and the washboard, Frankie "Half Pint" Jackson, vocals interact to make this a great session. Listen for some very good kazoo and jugs, and notice how Half Pint Jackson laughs like scat singing. Very unusual.

["Tight Like That" plays]

Bob: Okay, now we goin' performance number three. Barrelhouse Stomp, which was done March 13th, 1931. Again with Chicago people, the State Street Ramblers. Alfred Bell is singing and strumming washboard, as well as playing the kazoo, Roy Palmer is on trombone, Darryl Howard of New Orleans is on clarinet, Jimmy Blythe, the great Jimmy Blythe is on piano, and Ed Hudson on banjo. The talking is by Alfred Bell. You listen for Howard's clarinet feature, kazoo takes the place of the trumpet throughout so if you think you hear a trumpet, you're not hearing a trumpet, you're hearing a kazoo. [light laugh] Very good washboard and kazoo. Notice how the trombone takes the place of the jug and string bass when the kazoo takes the lead.

["Barrelhouse Stomp" plays]

Bob: OK, the next one is "Forty and Tight". This was recorded on July 24th, 1929 by Chicago personnel, The Beal Street Washboard Band. The legendary Johnny Dodds is on clarinet, Herb Moran is on cornet, Frank Melrose is on piano, and Warren "Baby" Dodds is on washboard. Now, this is unusual because you normally hear him on drums. The teaming of the Dodge brothers when they were at their best. You listen for Baby Dodds, who's not often on the washboard, and very good interplay between the personnel, and each individual instrument of the group can be heard at any time, even if they're all playing at once. I feel this is very unselfish, and if they weren't so good, they wouldn't even try to overplay the other.

["Forty and Tight" plays]

Timiny: The Dodds brothers...hot stuff, huh? I'd like to remind you, you're listening to the 1990 Jazz Marathon. We're on the air to entertain you and also to elicit your support for community radio here in Charlottesville, Virginia. All of this music is, of course, a type that you never hear anywhere else, er, probably you've never heard anything like this in your lives, but you have to admit this is really hot jazz. We have a lot more ahead of us, um, Bob's got a whole bunch of tunes lined up. We'd like to hear the phones ring down here, it's sorta like the calm before the storm. The game isn't over yet, and there aren't too many people..active and alive, but we know you're out there, so before everything gets hot, give us a call down here, 924-3418, 924-3959, and support WTJU, so I'll turn the mic over to Bob.

Bob: This is performance number five coming up. "Sweet Lizzie" was done on October 27, 1930 by Chicago personnel again, and it was called James Cole's Washboard Band. A sizzling fiddle, of all things, by James Cole, and he's backed up by Eddie Dennis, mandolin, washboard and kazoo, Tony Bradley on guitar, you listen for the sizzling fiddle by James Cole, and good rhythm by Bradley on guitar, and the kazoos and the washboards, [laughs], they just can't be, undercut cuz they're great.

["Sweet Lizzie" plays]

Bob: And can you imagine, that that was all done with a violin, a mandolin, a kazoo and a washboard? It-it's just amazing. The next performance is known as "Crazy Blues". It was done on October the 3rd, 1934, in New York, by the Alabama Jug Band. Now, [laughs], this-this name and the people don't seem to go together but, uh, at any rate, it-it spots the eccentric cigar chewin' Willie "The Lion" Smith on piano, and includes Ed Allen's cornet, Cecil Scott's clarinet, Ikey Robinson on banjo, Cyrus St. Clair on bass, Clarence Todd on kazoo, Floyd Casey on washboard, and Clarence Williams blowing zany, highly emotional notes into his jug. It also adds a Ham and Cabbage Trio composed of Williams, Robinson and Todd. Listen for some great jug by Williams, and very interesting washboard by Floyd Casey, which sounds almost like brushes on a snare drum.

["Crazy Blues" plays]

Bob: That, that jug by Williams just carries me away, I'm telling you. (Laughs) The next performance is "Tiger Rag". It was done on October the 17th, 1934, again by New York personnel. They were called the Georgia Washboard Stompers. This is Chick Webb's celebrated trumpeteer Taft Jordan, is the star of this session. He's surrounded by saxophonists Dave Page, Ben Smith and Carl Wade. Clarence Prophet is at the piano, Steve Washington is doubling banjo and guitar, Ghost Howell is on bass, and Jake Fenderson is on washboard, making this performance really swing. Listen for tremendous washboards, pots and pans by Jake Fenderson, great string bass by Ghost Howell and notice the exciting syncopation and hesitation of Taft Jordan on trumpet.

["Tiger Rag" plays]

Timiny: Before we get on with the music, I'd like to tell you that you're listening to the jazz marathon, and we're doing this programming for the purpose of eliciting support from the public for continued jazz programming in Charlottesville, and we'd like to hear the phones ring down here, it's been very, very quiet, I know there's a lot going on, but I also know there's a lot of people who haven't yet made a pledge to help us out with our operations for the next year, and, if you will listen to WTJU regularly, and a lot of people do, it's time now to get out your checkbook and be a little generous with the music that we like and enjoy so much. Okay, I'm going to turn the mic over to Bob for more kazoos and washboards and jugs.

Bob: K, this next performance is "Shake Your Shimmy". It was done on October the 9th, 1928 by Chicago personnel, a group called The Midnight Rounders. And this group was known by several other names too, but it was basically headed up by Jimmy Blythe on piano, William Lyle on bass, Jimmy Bertrand on washboard and woodblocks and Frankie Jackson on vocal. Listen for great washboard and woodblocks by Jimmy Bertrand, and good performances from Blythe and Lyle. Just listen to each player and you just see, boy, they're really having a lot of fun.

["Shake Your Shimmy" plays]

Bob: OK, now we'll go back to New York personnel on this cut, and they're playing a song called "Jazz It Blues", which was done October the 3rd 1934 again by the Alabama Jug Band, and we have the eccentric cigar chewing Willie "The Lion" Smith on piano, Ed Allen's cornet, Cecil Scott's clarinet, Ikey Robinson on banjo, Cyrus St. Clair on bass, Clarence Todd is on kazoo this time, Floyd Casey's on washboard, and Clarence Todd doubles by blowing zany, high emotional notes into his jug. We again have the Ham and Cabbage Vocal Trio of Williams and Robinson and Todd. On this one you should listen for an outstanding recording, listen to the notes of the various pitches that come from the jugs that William is blowing into it. I understand you can change the pitch by the angle at which you blow into the jug, and the, uh, intensity at which you blow it. Uh, everybody takes a solo in this one, and there's great interaction between the players. The trio does scat singing and I myself in 60 years have never heard a growl clarinet before, but Cecil Scott does it on this one, and it's just amazing.

["Jazz It Blues" plays]

Bob: Well, that was just a, just a foot tappin', knee slappin' performance there, I tell you. (Laughs). That's just about as good a jazz you can find anywhere. The next performance is done by Chicago people, it's called "Pleasure Mad". It was done on April 23rd, 1928, by the Blythe Blue Boys. Now this again is Jimmy Blythe on piano, Natty Dominique on cornet, and we have unknown alto sax, W.E. Burton's on the washboards and vocal comments, and on this one you can listen for a great Jimmy Blythe piano break, and all the fun that these boys have.

["Pleasure Mad" plays]

Bob: They-They sure are having fun. (Laughs) That's just infectuous (sic). The next performance is "Wildman Stomp", which was done March the 30th, 1931 by Chicago personnel, and it's the State Street Ramblers again. It again has Jimmy Blythe on piano, Ed Hudson on banjo, Alfred Bell on kazoo and washboard. And you listen for a great kazoo solo by Alfred Bell, and a vocal comment by Bell, and what jazz can be made with just a piano, a kazoo, a banjo and a washboard. Wow, what fun they all having.

["Wildman Stomp" plays]

Bob: This next one is again by New York personnel, the Alabama Jug Band, that we've heard before. Uh, the name of the song is "My Gal Sal", and it was recorded on September the 5th, 1934. Again, we have the cigar chewin' Willie "The Lion" Smith on piano, including Ed Allen's cornet, Cecil Scott on clarinet, Ikey Robinson on banjo, Richard Fulbright on bass, Floyd Casey on the washboard, Clarence Todd's on the kazoo, and Clarence Williams is blowing his zany, highly emotional notes in the jug again. And listen to the vocal by Hambone Jackson. This is a good cornet and a good group. Williams on the jug, and Todd's on the kazoo, and Casey on the washboard, they're just hard to beat.

["My Gal Sal" plays]

Bob: The next song'll be the "Gulf Coast Blues", which is done, which was recorded on September the 5th, 1934 by the same group, the Alabama Jug Band that you just heard, except one of the differences is the writer of this song is also the one who is gonna be blowing the jug, which is Clarence Williams.

["Gulf Coast Blues" plays]

Timiny: OK, I'd like to remind you you're listening to WTJU 91.3 FM in Charlottesville, Virginia, it's almost 6:00. We're doing, (inhales), jugs, kazoos (sighs) and other unusual instruments in jazz, and we have about, oh, about 20 more minutes left of this programming and then we're gonna move on to some boogie-woogie jazz, so I'll let Bob Chandler here continue with this great music, the numbers here again, if you, (pause), choose to make a pledge of support to WTJU are 924-3959 and 924-3418. At this point, we're about $1,800 shy of our goal and we have about one more day of the jazz marathon left so it's time to keep, uh, to stop putting it off and get out your checkbook and, (pause), support your community radio. Okay, Bob. Lay a little more of this on us.

Bob: OK, the next, the next song we'll hear is by the Alabama Jug Band again, this is the same New York personnel, it was recorded at the same time, it's "I Wish I Could Shimmy Like My Sister Kate".

["I Wish I Could Shimmy Like My Sister Kate" plays]

Bob: Okay, we'll come now to the last performance of our jugs, kazoos and washboards, which is done by New York personnel, October the 3rd, 1934, again it's the Alabama Jug Band, uh, which was the cigar chewin' Willie "The Lion" Smith, Ed Allen's cornet, Cecil Scott's clarinet, Ikey Robinson on banjo, Cyrus St. Clair on tuba, Floyd Casey on washboard, Clarence Todd on kazoo, and Clarence Williams blowing his zany notes into the jug. The vocals by Hambone Jackson, you listen for a great cornet break towards the end of this piece, followed by Willie "The Lion" Smith on piano doing his thing. The name of this song is "Somebody Stole My Gal".

["Somebody Stole My Gal" plays]

(Part 3)

Bob: Well, I certainly hope that you enjoyed the jugs and the kazoos and the washboards because it's certainly unusual music, you don't hear it much anymore, I think it'd be a lot of fun, I would enjoy going to a place that had it myself, and participating even. We're going to lead into the boogie-woogie show with some boogie-woogie now. Uh, the act, the show will start at 6:30 but we're just gonna lead in with some of the, more modern boogie woogie, not the roots of the boogie woogie but the more modern boogie woogie that was done in the 1939, 1940, 1938, uh, and this is just beautiful music, and the first one we're gonna hear is by one of the greats of the Boogie Woogie Trio, Albert Ammons, and his "Bass Going Crazy", this was recorded in 1939.

["Bass Going Crazy" plays]

Bob: The next record we're gonna hear, is one by Pete Johnson, which was recorded in 1939, and, uh, it's called "Climbing and Screaming", and, it's on the same record so my friend Timiny here is trying to cue it up, so that, uh, we can let it go. That's why I'm hesitating for a minute, give him a little bit of time. So this is "Climbing and Screaming" by Pete Johnson from Kansas City, part of the Boogie Woogie Trio.

["Climbing & Screaming" plays]

Bob: Okay, that was "Climbing & Screaming" by Pete Johnson. Again, we've gotta move to another track on this, uh, record so I'll talk just a little bit. We're gonna have another one by Pete Johnson, and like I say he was part of the Boogie Woogie Trio and he was from Kansas City. And, uh, Timiny says we're ready so, here we go with "Kacey On My Mind".

["Kacey On My Mind" plays]

eBay

On 14 July 2014, Chris listed CDs of the marathon on eBay, never mind it was put up for free download already (and on a website that wouldn't be defunct until 8 months after it was posted). The list price was $50, $10 of which Chris claimed would be donated to WTJU. Obviously, the CD cover has Sonichu and the words "(C) 2000 CWC" on it. eBay removed the listing, presumably over copyright infringement, and Chris angrily reposted the listing, claiming that he had permission from WTJU to sell it, which is somewhat irrelevant, and which WTJU later retracted.[1] Apparently, the CDs were only kept up because WTJU thought that Bob was a musician who did a set for the station and not a DJ. eBay then removed the listing a second time, but not before two hapless people had bought copies. Chris gave up on relisting the CDs and claimed he was unable to refund the buyers, but promised to ship each of them a color commissioned drawing, autographed photo, and complimentary CD instead.

References

  1. ↑ [1]

Links

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