Difference between revisions of "SHE IS MINE NOW"
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Yo! MC Chris! I'm gonna rap it to ya, man! Listen up! | Yo! MC Chris! I'm gonna rap it to ya, man! Listen up! | ||
[''Ian begins "rapping" while "Walk This Way" by nonthreatening classic rockers Aerosmith plays in the background''] | <poem> | ||
I take yo video you blame man | [''Ian begins "rapping" while "Walk This Way" by nonthreatening classic rockers Aerosmith plays in the background''] | ||
You done copyin' this and that | I take yo video you blame man | ||
[[homos|I'm gonna screw you]], I'm gonna take you to town | You done copyin' this and that | ||
Who do you think you are, [[South Park|Eric Cartman]]? | [[homos|I'm gonna screw you]], I'm gonna take you to town | ||
[''Ian does terrible Eric Cartman impression''] Screw you guys, I'm going home! | Who do you think you are, [[South Park|Eric Cartman]]? | ||
You had all with the sweet little girl | [''Ian does terrible Eric Cartman impression''] Screw you guys, I'm going home! | ||
And yet you break your promise! | You had all with the sweet little girl | ||
Turn your back on her and turn to the trolls! | And yet you break your promise! | ||
You just a dang dummy! | Turn your back on her and turn to the trolls! | ||
And you still chicken you's a dang coward! | You just a dang dummy! | ||
You wanna come fight me | And you still chicken you's a dang coward! | ||
Come fight me in person | You wanna come fight me | ||
Come out from behind the camera you fool | Come fight me in person | ||
I'll fight you anything! | Come out from behind the camera you fool | ||
Poop-pow! [''flails arms in an obscene mockery of punching''] | I'll fight you anything! | ||
And I'm just gonna plain kick yo ass! | Poop-pow! [''flails arms in an obscene mockery of punching''] | ||
''MaybeIshouldremindyou's'' a total width shorter than me! | And I'm just gonna plain kick yo ass! | ||
I'm up at five foot ten, what are you, four foot eight? | ''MaybeIshouldremindyou's'' a total width shorter than me! | ||
I'm gonna tell you something right now | I'm up at five foot ten, what are you, four foot eight? | ||
That ain't gonna let you laid, | I'm gonna tell you something right now | ||
Yet you had it once with her and let it down | That ain't gonna let you laid, | ||
You's a big ol' dang... stupid lame-ass clown. | Yet you had it once with her and let it down | ||
Because you know you had all the blessings | You's a big ol' dang... stupid lame-ass clown. | ||
She was smart she was sweet she was riwwyvery fun! | Because you know you had all the blessings | ||
She did... | She was smart she was sweet she was riwwyvery fun! | ||
She done left you boy! | She did... | ||
You lost her! You treated her like a [[Kimmi|dang ragdoll]]! | She done left you boy! | ||
Dang ragdoll... | You lost her! You treated her like a [[Kimmi|dang ragdoll]]! | ||
And she ain't no ragdoll, she's a caring human being! | Dang ragdoll... | ||
And you is a dang fool for mistreating her like you did. | And she ain't no ragdoll, she's a caring human being! | ||
And I [[love]] her -- I love her for so much more than that. | And you is a dang fool for mistreating her like you did. | ||
And you so... And you threw it all away, man. | And I [[love]] her -- I love her for so much more than that. | ||
She left you and now she's with me. | And you so... And you threw it all away, man. | ||
She left you and now she's with me. | |||
</poem> | |||
[''Turns back and fast forwards through the intro to the song, pauses awkwardly to wipe sweat''] I'm at this point, man. What I want you to do, because all your notions you had with lovely, sweet [[Kacey]]. This point, you could just... DREAM ON. Cause you know I be share [''Changes track to Aerosmith's "Sweet Emotion".''] | [''Changes track to Aerosmith's "Dream On"''] And the point, you should just... [''Turns back and fast forwards through the intro to the song, pauses awkwardly to wipe sweat''] I'm at this point, man. What I want you to do, because all your notions you had with lovely, sweet [[Kacey]]. This point, you could just... DREAM ON. Cause you know I be share [''Changes track to Aerosmith's "Sweet Emotion".''] | ||
[''In an ear-splitting high pitched whine, while holding up the Claw of Doom''] SWEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEET EMOTION. You didn't share no sweet emotion. You just done played her for a fool. And I don't take I don't take to fools like that. [''whispers: Please don't. I swear.''] And by the way you know what? And you know what? I don't care about bein' a [[Virgin with rage|virgin]] because we're like LOVE IN AN ELEVATOR! LOVIN' IT UP IN AN ELEVATOR! I mean I tell ya. I tell ya what, man. She done leave you -- she done left yous man. She come, she come towards me. Because she's beyond beautiful. | [''In an ear-splitting high pitched whine, while holding up the Claw of Doom''] SWEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEET EMOTION. You didn't share no sweet emotion. You just done played her for a fool. And I don't take I don't take to fools like that. [''whispers: Please don't. I swear.''] And by the way you know what? And you know what? I don't care about bein' a [[Virgin with rage|virgin]] because we're like LOVE IN AN ELEVATOR! LOVIN' IT UP IN AN ELEVATOR! I mean I tell ya. I tell ya what, man. She done leave you -- she done left yous man. She come, she come towards me. Because she's beyond beautiful. | ||
Revision as of 11:35, 29 October 2009
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WARNING! This video features high levels of Tard Rage. |
10292009 - Re to Chris No 2 - SHE IS MINE NOW is another call out to the real Chris from Ian Brandon Anderson, uploaded on 28 October 2009. In it, he raps again and declares that Kacey is his and that Liquid lost her.
Ian plays a wide array of Aerosmith tracks in the background, undoubtedly in an attempt to seem rebellious and dangerous. He shuffles back and forth throughout the video and seems to have aged considerably since yesterday. He also finally changed his shirt.
He also does his Donald Duck impression... that or another rage attack. Who knows?
It is also important to note that Ian seems to be sweating a fair amount in this video and can be seen wiping sweat from his brow. The sweating appears to become more profuse towards the end of the video compared to the somewhat dry start, go ahead and watch.
Transcript
Yo! MC Chris! I'm gonna rap it to ya, man! Listen up!
[Ian begins "rapping" while "Walk This Way" by nonthreatening classic rockers Aerosmith plays in the background]
I take yo video you blame man
You done copyin' this and that
I'm gonna screw you, I'm gonna take you to town
Who do you think you are, Eric Cartman?
[Ian does terrible Eric Cartman impression] Screw you guys, I'm going home!
You had all with the sweet little girl
And yet you break your promise!
Turn your back on her and turn to the trolls!
You just a dang dummy!
And you still chicken you's a dang coward!
You wanna come fight me
Come fight me in person
Come out from behind the camera you fool
I'll fight you anything!
Poop-pow! [flails arms in an obscene mockery of punching]
And I'm just gonna plain kick yo ass!
MaybeIshouldremindyou's a total width shorter than me!
I'm up at five foot ten, what are you, four foot eight?
I'm gonna tell you something right now
That ain't gonna let you laid,
Yet you had it once with her and let it down
You's a big ol' dang... stupid lame-ass clown.
Because you know you had all the blessings
She was smart she was sweet she was riwwyvery fun!
She did...
She done left you boy!
You lost her! You treated her like a dang ragdoll!
Dang ragdoll...
And she ain't no ragdoll, she's a caring human being!
And you is a dang fool for mistreating her like you did.
And I love her -- I love her for so much more than that.
And you so... And you threw it all away, man.
She left you and now she's with me.
[Changes track to Aerosmith's "Dream On"] And the point, you should just... [Turns back and fast forwards through the intro to the song, pauses awkwardly to wipe sweat] I'm at this point, man. What I want you to do, because all your notions you had with lovely, sweet Kacey. This point, you could just... DREAM ON. Cause you know I be share [Changes track to Aerosmith's "Sweet Emotion".]
[In an ear-splitting high pitched whine, while holding up the Claw of Doom] SWEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEET EMOTION. You didn't share no sweet emotion. You just done played her for a fool. And I don't take I don't take to fools like that. [whispers: Please don't. I swear.] And by the way you know what? And you know what? I don't care about bein' a virgin because we're like LOVE IN AN ELEVATOR! LOVIN' IT UP IN AN ELEVATOR! I mean I tell ya. I tell ya what, man. She done leave you -- she done left yous man. She come, she come towards me. Because she's beyond beautiful.
[Changes track to "Beyond Beautiful" from the Aerosmith Track Pack and then sings mumbles along, badly] She loves me now, she loves you not! Listen to that! Rittleol' Aerosmith! She's beyond beautiful, and she's beyond... brilliant. She is so kind. She cares about a lot. She cared about you, too. But you done turned her down, man. You lost her. So face facts. She's with me Mac -- she is with me now. You're yesterday's news. Just like the... just like the boat that the Mythbusters made out of newspaper and ice. Yesterday's news. Good show by the way, I learned from it. So you can just move on, Buster Brown! 'Cause Mama Brown ain't gonna take that no more!
Yeah... and I will kick your asses. Because... I'm crazy! [Gibbers violently at the camera. Pauses, then does a more effete version of gibbering at the camera]
C'mon! You come fight me in person, and I'll kick your ass! Come on!
...have a good day. Beat me in person.