Difference between revisions of "Women's rights"
(They say what the year was in the song, which I already provided.) |
|||
| Line 2: | Line 2: | ||
[[Image:Motivator8532911.jpg|thumb|left|[[Chris]] appreciating a woman's right to take off their clothes and been seen as objects.]] | [[Image:Motivator8532911.jpg|thumb|left|[[Chris]] appreciating a woman's right to take off their clothes and been seen as objects.]] | ||
[[Women's rights]], at least in [[Chris's]] mind, refer to the right of women to take their clothes off in protest of being drawn with [[pickles]]. Given his admitted love of the 1964 classic [[Mary Poppins]], he presumably stole the concept from the character of Mrs. Banks, who is a suffragette in 1910 England.<ref>"It's grand to be an Englishman in 1910"</ref> | [[Women's rights]], at least in [[Chris's]] mind, refer to the right of women to take their clothes off in protest of being drawn with [[pickles]]. Given his admitted love of the 1964 classic [[Mary Poppins]], he presumably stole the concept from the character of Mrs. Banks, who is a suffragette in 1910 England.<ref>Lyrics from ''The Life I Lead'': "It's grand to be an Englishman in 1910 / King Edward's on the throne / It's the age of men!"</ref> Of course, Chris wouldn't have the first idea of what "women's suffrage" was, let alone the impact it had on world history, and why it was being shown in the movie in the first place. Susan B. Anthony would be proud. | ||
==Basis in the film Mary Poppins== | ==Basis in the film Mary Poppins== | ||
[[Image:Ss03.jpg|thumb|right|Mrs. Banks, wearing the "Votes for Women" sash that Chris so blatantly mis-interpreted.]] | [[Image:Ss03.jpg|thumb|right|Mrs. Banks, wearing the "Votes for Women" sash that Chris so blatantly mis-interpreted.]] | ||
[[Image:Suffragette.jpg|thumb|left|Sir Isaacs Justifies Violence? Who could have such horrible objections to a woman's right to <s>vote</s> [[Hanky-Panky]]?]] | [[Image:Suffragette.jpg|thumb|left|Sir Isaacs Justifies Violence? Who could have such horrible objections to a woman's right to <s>vote</s> [[Hanky-Panky]]?]] | ||
[[Image:SchuComic9P35.jpg|thumb|right|"Appreciating" women.]] | |||
His extreme zeal for "womens' rights" probably comes from a Mrs. Banks, the mother of Jane & Michael. As the story is set in early 20 century England | His extreme zeal for "womens' rights" probably comes from a Mrs. Banks, the mother of Jane & Michael. As the story is set in early 20 century England, women do not yet have the right to vote. Mrs. Banks is the first character we see in the film proper, and she also sings the first song, ''Sister Suffragette'', during which she mentions [http://en.wikipedia.org/wiki/Emmeline_Pankhurst Emmeline Pankhurst] being arrested (again).<ref>"Take heart! For Missus Pankhurst has been clapped in irons again!</ref> | ||
Mrs. Banks and her friends were depicted as struggling for the greater cause of being treated as an equal, with the same rights and treatment. But Chris takes it to mean they simply want to remove their clothes and fuck. | Mrs. Banks and her friends were depicted as struggling for the greater cause of being treated as an equal, with the same rights and treatment. But Chris takes it to mean they simply want to remove their clothes and fuck. | ||
| Line 15: | Line 16: | ||
[[Chris]]'s most prominent reference to womens' rights occurs at the end of [[Sonichu (comic) | Sonichu]] [[Episode 17]], in which the [[Rosechu_(species)| Rosechus]] of [[CWCville]] strip to celebrate their victory over [[Jason Kendrick Howell]] and assert their dominance over [[4-cent garbage.com]]. | [[Chris]]'s most prominent reference to womens' rights occurs at the end of [[Sonichu (comic) | Sonichu]] [[Episode 17]], in which the [[Rosechu_(species)| Rosechus]] of [[CWCville]] strip to celebrate their victory over [[Jason Kendrick Howell]] and assert their dominance over [[4-cent garbage.com]]. | ||
Chris's understanding of womens' rights demonstrates how entrenched his stereotypical view of women truly is. While not outwardly misogynistic, Chris nevertheless has a view that true liberation for women involves their being able to strip without interference. This misunderstanding is doubtless a product of Chris's own desires and informed by [[anime]], video games, and pornography, which are Chris's main sources of knowledge concerning women. | Chris's understanding of womens' rights demonstrates how entrenched his stereotypical view of women truly is. While not outwardly misogynistic, Chris nevertheless has a view that true liberation for women involves their being able to strip without interference, and to be interpreted as women without pickles. This misunderstanding is doubtless a product of Chris's own desires and informed by [[anime]], video games, and pornography, which are Chris's main sources of knowledge concerning women. | ||
For Chris, the truest expression of a woman's freedom is to strip. More tellingly, the truest expression of a woman's freedom is to strip and produce erotic artwork for a male audience. Chris subtly admits that women possess a great deal of power over him; in his mind, they are truly able to exercise their complete freedom in society when given the right to fully exploit what gives them power - their chinas, tits, and asses. True womens' liberation does not involve the treatment of women as equals, but rather opens up avenues for half of the population to finally get the chance to exploit the other half. | For Chris, the truest expression of a woman's freedom is to strip. More tellingly, the truest expression of a woman's freedom is to strip and produce erotic artwork for a male audience. Chris subtly admits that women possess a great deal of power over him; in his mind, they are truly able to exercise their complete freedom in society when given the right to fully exploit what gives them power - their chinas, tits, and asses. True womens' liberation does not involve the treatment of women as equals, but rather opens up avenues for half of the population to finally get the chance to exploit the other half. | ||
Despite their phenomenal talent for fighting evil, Chris depicts Rosechus as passive sexual toys for Sonichus. Reflecting Chris's own distorted image of women, the Rosechus in his comics expend exhibit a desire to engage in stereotypical behavior, with occasional aggressive sexual overtures. Women play the role of deus ex machina in Chris's comics - occasionally leaving their role as supporting characters to engage in acts of great bravery and heroism. This mindset is painfully obvious in Chris's interaction with women during his [[love quest]]. Chris takes on a passive role in his attraction strategy, waiting to be approached by women who he thinks will take interest in his appearance. Chris essentially is looking for a [[Barbara Chandler|maternal figure]] in his life. Rather than aiming to better himself, he is looking to be fulfilled and served by women. Rather than having the full potential to use their talents in society, women's rights are the rights of women to bring pleasure to men. | Despite their phenomenal talent for fighting evil, Chris depicts Rosechus as passive sexual toys for Sonichus. Reflecting Chris's own distorted image of women, the Rosechus in his comics expend exhibit a desire to engage in stereotypical behavior, with occasional aggressive sexual overtures. Women play the role of deus ex machina in Chris's comics - occasionally leaving their role as supporting characters to engage in acts of great bravery and heroism. This mindset is painfully obvious in Chris's interaction with women during his [[love quest]]. Chris takes on a passive role in his attraction strategy, waiting to be approached by women who he thinks will take interest in his appearance. Chris essentially is looking for a [[Barbara Chandler|maternal figure]] in his life (Paging Dr. Freud). Rather than aiming to better himself, he is looking to be fulfilled and served by women. Rather than having the full potential to use their talents in society, women's rights are the rights of women to bring pleasure to men as Chris sees fit. | ||
==TL;DR version== | ==TL;DR version== | ||
Chris tries to pass off his sexism and misogyny as pseduo-feminism and will never get laid. | Chris tries to pass off his sexism and misogyny as pseduo-feminism and will never get laid. | ||
==Sauces== | |||
<references/> | |||
Revision as of 01:33, 25 August 2009
.JPG)
Women's rights, at least in Chris's mind, refer to the right of women to take their clothes off in protest of being drawn with pickles. Given his admitted love of the 1964 classic Mary Poppins, he presumably stole the concept from the character of Mrs. Banks, who is a suffragette in 1910 England.[1] Of course, Chris wouldn't have the first idea of what "women's suffrage" was, let alone the impact it had on world history, and why it was being shown in the movie in the first place. Susan B. Anthony would be proud.
Basis in the film Mary Poppins
His extreme zeal for "womens' rights" probably comes from a Mrs. Banks, the mother of Jane & Michael. As the story is set in early 20 century England, women do not yet have the right to vote. Mrs. Banks is the first character we see in the film proper, and she also sings the first song, Sister Suffragette, during which she mentions Emmeline Pankhurst being arrested (again).[2]
Mrs. Banks and her friends were depicted as struggling for the greater cause of being treated as an equal, with the same rights and treatment. But Chris takes it to mean they simply want to remove their clothes and fuck.
Background
Chris's most prominent reference to womens' rights occurs at the end of Sonichu Episode 17, in which the Rosechus of CWCville strip to celebrate their victory over Jason Kendrick Howell and assert their dominance over 4-cent garbage.com.
Chris's understanding of womens' rights demonstrates how entrenched his stereotypical view of women truly is. While not outwardly misogynistic, Chris nevertheless has a view that true liberation for women involves their being able to strip without interference, and to be interpreted as women without pickles. This misunderstanding is doubtless a product of Chris's own desires and informed by anime, video games, and pornography, which are Chris's main sources of knowledge concerning women.
For Chris, the truest expression of a woman's freedom is to strip. More tellingly, the truest expression of a woman's freedom is to strip and produce erotic artwork for a male audience. Chris subtly admits that women possess a great deal of power over him; in his mind, they are truly able to exercise their complete freedom in society when given the right to fully exploit what gives them power - their chinas, tits, and asses. True womens' liberation does not involve the treatment of women as equals, but rather opens up avenues for half of the population to finally get the chance to exploit the other half.
Despite their phenomenal talent for fighting evil, Chris depicts Rosechus as passive sexual toys for Sonichus. Reflecting Chris's own distorted image of women, the Rosechus in his comics expend exhibit a desire to engage in stereotypical behavior, with occasional aggressive sexual overtures. Women play the role of deus ex machina in Chris's comics - occasionally leaving their role as supporting characters to engage in acts of great bravery and heroism. This mindset is painfully obvious in Chris's interaction with women during his love quest. Chris takes on a passive role in his attraction strategy, waiting to be approached by women who he thinks will take interest in his appearance. Chris essentially is looking for a maternal figure in his life (Paging Dr. Freud). Rather than aiming to better himself, he is looking to be fulfilled and served by women. Rather than having the full potential to use their talents in society, women's rights are the rights of women to bring pleasure to men as Chris sees fit.
TL;DR version
Chris tries to pass off his sexism and misogyny as pseduo-feminism and will never get laid.
Sauces